人间地狱

一般的情况下，可没有男人愿意到女人的村子里面住的。故事发生在古希腊的雅典，赫米拉（奥利维娅·德哈维兰 Olivia de Havilland 饰）和拉山德（迪克·鲍威尔 Dick Powell 饰）深深的爱慕着彼此，可是两人的恋情却遭到了赫米拉家人的强烈反对，因为他们早已经给女儿相中了名为狄米特律斯（罗斯·亚历山大 Ross Alexander 饰...片刻的僵硬之后，慕浅很快摘下自己脸上贴着的纸条，微笑着对宋千星道：这可真是失礼到家了，宋小姐不必拘礼，请随便坐，我去洗个脸再来招呼你。林尤然撑着头，一下子像是想到了什么：【你生日是多久？】I also must admit being surprised at the extreme obscurity status of this film. It may not be the greatest Italian crime-thriller of the 70's but it's undeniably great entertainment, stuffed with sadistically violent images and long gratuitous scenes of sleaze and full frontal female nudity. If that doesn't appeal to avid Euro-cult cinema fanatics, then I don't know what else does! The two most encountered titles"Violence for Kicks" and"Terror in Rome" also immediately summarize the full story. A gang of young & ruthless bikers terrorizes the streets of Rome for no other reason than kicks and to kill their copious amounts of spare time. They purposelessly gang-rape random girls, beat up pedestrians, deal hard drugs, organize illegal street races, menace witnesses, murder city employees and commit violent heists even though they don't need any money as they're all the offspring of rich & eminent citizens. The tough police inspector De Gregori (Antonio Sabato) rapidly becomes very frustrated because each time he arrests the arrogant gang leader Stefano, his daddy's attorneys arrange a release warrant the exact same day. But when the gang's aggressions gradually become viler and De Gregori's own wife becomes the target of an assault, he decides to enforce the law slightly more drastic."Violence for Kicks" is extremely incoherent and the events actually just jump swiftly from one nasty sequence to the next, but the pacing is fast and the script doesn't allow you to bother about the several improbabilities. There are no character studies or moralistic speeches to suffer through here; just plain old action and excitement. The violence is truly nihilistic and"Grindhouse"-like here, including extended shots of burning corpses and executed children. In spite of all the nastiness, there's even a bit of room for comic relief, namely in the persona of Insp. De Gregori's dimwit assistant. During an interrogation, the arrogant Stefano refers to a theory of philosopher Friedrich Nietzsche. Afterwards the assistant subtly turns to De Gregori and asks him:"I do understand everything and all, but … what does this guy Nietzsche has to do with the whole case?" Too funny! Coriolani Gori provides a stimulating score and cameraman Sergio Martinelli masterfully choreographs the multiple car chases and motorcycle races.戴维（德鲁·傅勒 Drew Fuller 饰）就职于一家快递公司之中，个性老实的他暗恋着同事詹妮（唐佳·温泽尔 Tanja Wenzel 饰），詹妮亦对戴维情有独钟，可是，由于戴维的羞涩，两人之间的窗户纸始终未能捅破。一次偶然中，戴维目睹了一场车祸，一个名为劳拉（Alison King 饰）的女子上了戴维的车，她告诉戴维自己是一名警察，正遭到黑帮的追杀。然而事实真是如此吗？肖战捏住她的下巴，霸道总裁似口吻：又说脏话！人群中，顾潇潇看艾美丽躲避的这么快，不由露出满意的笑容。James Tresswick and Mark Vincent are victims of a brutal bully Gary Parker who has maltreated both boys, marking their bodies and spoiling their young lives. In their last year of high school, James and Mark find a way to stop being victims. They're going to kill Gary; Wandering alone around an isolated forest - the suspected site of the disappearance of a local girl - 17 year old Mark strays upon an adult male filling in a trench. It's suspicious and tantalizing. Mark returns with his friend James and Chasley Keys and they bring shovels to exhume what will probably be rotting garbage or someone's dead pet - or so they tell themselves. They find the ghostly white body of a woman. She's a tourist - a Canadian backpacker. The"trench" is a grave. The"adult male" is her killer. And they've got him by the balls. Responding to Mark's intimations James floats an idea to seek out"the sicko". It'll be a bit of fun. He's confident the guy lives in their suburb; Mark saw his car parked on a trail; Mark knows what the car looks like; Mark knows what he looks like. It can be done. Chasely goes along with it. No surprise. James has done all her thinking since they started a relationship. Mark agrees because he's got a thing for Chasely and he'd like to appear a bit more like her boyfriend, but mostly Mark agrees because he carries a culpable secret. They find the car and the killer 24 hours later. He's got the same house as everyone else and a kid and a wife. Jeez, it's anticlimactic. Then, in Chasely's bedroom, as the girl cleans up the latest damage done to Mark's face by an animal called Gary Parker, James floats another idea; What if the killer were contacted and told the name of a guy that they'd like to see dropped in a hole of his own? He's their secret, isn't he? They kind of own him, don't they? If he thinks they might let him go he'd do anything, wouldn't he? What could go wrong? James, Mark and Chasley are about to cross a line of no return as serial killer Ian Wright lures the vulnerable teenagers into his violent world.